DREAM THEATER, source by kerrang.com SURVIVING TWENTY years as a band is no mean feat. Continuing to sell albums and tickets after that long is just plain impressive, but that’s just what Dream Theater are doing. Since forming as Majesty at Berklee College of Music in 1985, they have become one of the biggest-selling progressive bands around, selling over six million units worldwide. Building their sound from a solid base of incredible musical proficiency, they have morphed and adapted over the years, becoming heavier and more expansive all the time, whilst retaining their trademark, complex prog element. After releasing their ‘When Dream and Day Unite’ debut to reasonable acclaim, they really hit their stride when Canadian vocalist Kevin James LaBrie replaced original singer Charlie Dominici for 1992’s incredible ‘Images and Words’. The band never looked back. Constantly striving to push themselves to the next musical level, Dream Theater have frequently performed exhilarating shows where award-winning virtuoso drummer Mike Portnoy ensures that every setlist is unique. While there are so many flash-in-the-pan bands that will never stand the test of time, Dream Theater really are just as relevant (and just as cool) today as they were 22 years ago and seeing as their current release, their ninth studio album, sounds as good as anything else they’ve ever done, you wouldn’t dare bet against seeing them going strong in another couple of decades. Name: METROPOLIS PART 2:... Label: ELEKTRA Year: 1999 Review: ESSENTIALLY JUST a remarkable, album-length follow-up to ‘Metropolis Part 1’ from their 1992 breakthrough, this is their most accessible record because, somehow, it doesn’t seem pretentious at all. James LaBrie sang the story that forms the concept of this album impeccably and solved the unfinished business that many fans had complained about since ‘Images And Words’ in one. Name: SIX DEGREES OF INNER... Label: ELEKTRA Year: 2002 Review: MANY CAN’T decide if this double-disc is their finest moment or not. The fact that their label did not allow them to make a double-album the last time meant they went slightly overboard this time. With the title-track taking up a whole one of those discs covering a staggering, but glorious 42 minutes, they managed to make a marathon that everyone wanted to run. Name: SYSTEMATIC CHAOS Label: ROADRUNNER Year: 2007 Review: AFTER TWO decades of developing their sound and building their fanbase, Dream Theater return with a stunningly epic album full of modern influences and dramatic interludes. LaBrie sounds older and wiser, handing the vocals an inimitable assuredness and authority. It’s a significant return to form after a couple of duds. Their duds, however, are still better than most other music. Name: IMAGES AND WORDS Label: ATCO Year: 1992 Review: THE FIRST album with James LaBrie is held up by many to be the album where the band really nailed their prog-metal sound. It was their breakthrough album after gaining much airplay across the world with their brazen displays of musical aptitude. Despite the turbulent time signatures and sheer heaviness, they somehow still managed to become a mainstream act. Name: OCTAVARIUM Label: ATLANTIC Year: 2005 Review: THE STUNNING title track aside, there’s not much here that’s very interesting at all. Fair enough, said track is 24 minutes long, but that’s to be expected because Dream Theater have clearly never done anything by halves. It’s not a bad album by any means but when they have so much more material to stun you with, this is hardly a crucial addition to your library.
Key DREAM THEATER Tracks |
Jumat, 15 Januari 2010
Kamis, 14 Januari 2010
MetallicaArguably the biggest and most successful heavy metal band that will ever exist, Metallica was formed in 1981 by then budding tennis player Lars Ulrich. After advertising for likeminded musicians in a Los Angeles newspaper, Ulrich teamed up with guitarist and vocalist James Hetfield, bassist Ron McGovney and second guitarist Dave Mustaine (later of Megadeth fame) to form the band’s earliest incarnation. Releasing their debut album Kill ‘Em All two years later, the band eventually recruited Exodus guitarist Kirk Hammett and bassist Cliff Burton in place of Mustaine and McGovney respectively, producing two of their finest moments in Ride The Lightning and the classic Master Of Puppets. After just five short years, Metallica had begun to look unstoppable. Tragically, their success was to be momentarily halted following a bus crash in Sweden towards the end of 1986, resulting in Burton’s death. Following months of uncertainty, Metallica recruited fan Jason Newsted to fill the void, producing the album …And Justice For All in 1988. Newsted would remain in the band for the next 14 years, recording three more studio albums including the mega-selling ‘Black Album’. It was a period that would see various controversies rear their head; not least the distinctly ‘un-metal’ approach taken on the albums Load and Reload in the mid-nineties, while Ulrich suffered much abuse for his role in the band’s decision to tackle file-sharing giant Napster in 2000. Soon after the band recorded St. Anger, an album that many have dubbed the worst of their career, while Ulrich’s deteriorating relationship with Hetfield – documented in the 2004 film Some Kind Of Monster – once again threatened the band’s very existence. Having recruited former Suicidal Tendencies bassist Robert Trujillo shortly after the album’s completion, the band has since enjoyed a healthy relationship, with last month’s stunning Death Magnetic topping charts on both sides of the Atlantic, reinforcing their reputation as the finest heavy metal band on the planet. Name: Master of Puppets Label: VERTIGO Year: 1986 Review: Following the break through success of Ride The Lightning two years prior, the quartet delivered what is commonly known as one of the finest metal albums ever made. Blending their raw thrash prowess with a song writing formula that was beginning to look unbeatable, Master Of Puppets changed the music world on its head, allowing Metallica to take their rightful place as the kings of heavy metal. Name: Metallica Label: VERTIGO Year: 1991 Review: Though its release was met with cries of ‘sell-outs’ the world over, it’s easy to overlook the quality of Metallica’s biggest selling album. Though the immortal smash known as Enter Sandman would overshadow much of their 90’s career, Metallica – commonly known as the Black Album due to its cover – is a solid, no-frills metal album in its purest form, perfectly capturing a band that was about to hit its peak. Name: Ride the Lightning Label: VERTIGO Year: 1984 Review: While Kill ‘Em All had made Metallica’s intentions of world domination clear, it wasn’t until Ride The Lightning surfaced some 18 months later that such plans started to become reality. From the startling fury of Fight Fire With Fire right through to the epic Call Of Ktulu, this was the album that announced their arrival into the big leagues. Name: Reload Label: VERTIGO Year: 1997 Review: The second of Metallica’s ill-fated double salvo, Reload arguably had the edge on its predecessor. Favouring a largely straightforward, blues-driven rock and roll approach, it undoubtedly possesses a cluster of top notch songs. While it was Reload and its sister album that stripped the ‘metal’ from ‘Metallica’, one thing it never took was their ability to evolve regardless of the outside world. Name: St. Anger Label: VERTIGO Year: 2003 Review: Although it perhaps seems an easy album to bash, it only takes a proper listen to the band’s highly controversial eighth album to see that such treatment is largely justified. Recorded during a period that saw Metallica’s very existence hanging by a thread, the result was an unimpressive and sloppy mess of an album, offering absolutely no redeeming features either musically or lyrically.
Key Metallica Tracks |